Bartered Bride (Mařenka), National Theatre in Brno

„Mařenka is also excellently cast to Eva Dřízgová-Jirušová. Mařenka is energetic but loving, resentful as well as sad with a healthy voice."

Pavel Veber, Harmonie, 5/2006

Madama Butterfly (Cio-Cio-San), National Moravian-Silesian Theatre in Ostrava

„Paolo Gatto was able to rely on excellent achievements of the soloists. Eva Dřízgová-Jirušová who returned to the stage after her maternity leave confirmed in the role of Cio-Cio-San that her transparent lyrical soprano has not lost anything of its charm and quality and it is a real singing and acting talent of the production."

Břetislav Uhlář, Moravskoslezský deník, 8. 10. 2003

Festival Opera ´99

„An idea about cultivated, free and sonorous expression, a real vocal creation is gradually fading in the Czech environment. Exceptions to the rule like Eva Dřízgová confirm it (but there should be at least ten such singers like Dřízgová in Bohemia!).

Věra Drápelová, MF Dnes, 11. 11. 1999

Pelléas et Mélissande (Mélissande), National Moravian-Silesian Theatre in Ostrava

„Eva Dřízgová-Jirušová shined again as a first-class artist; her Mélissande role attributes an inward expression and the protagonist masters it with a sensitive distinction of the finest nuances."

Luděk Zenkl, Moravský den, 18. 2. 1998

Don Carlo (Elisabeth), National Moravian-Silesian

Theatre in Ostrava

„Very fine vocal creation of Eva Dřízgová-Jirušová radiates moving sentiment, very necessary as a welcome ray of light in the generally stuffy piece. Let us remind you that Eva Dřízgová has been achieving significant success with her title roles in almost all productions in Ostrava and she safely masters vocally relaxed parts with coloraturas of the young dramatic kind as well as serious and comic roles. She has a pleasant and engaging timbre and she always uses her extraordinary acting talent to a very detailed and compelling stage expression."

Luděk Zenkl, Hudební rozhledy, 5/1996

The Cunning Little Vixen (Vixen), National Moravian-Silesian Theatre in Ostrava

„...It was not even the majority of vocal accomplishments. However one of them towered above them all. Soprano Eva Dřízgová in the title role presented something which is not heard on any of the Prague stages: a clear, bright and clean lyrical soprano, sonant and piercing. She sings lightly and at the same time she engages emotions in her singing - how rare in this country! On top of that the stage is full of her, she has acting talent she is able to capture one's attention. If she'll be able to manage her talent, she could develop it in such direction which shall be mostly concise with beauty. Yet already now, the idea that Ostrava audience can hear such singer more often (and for example in Mozart!) fills a Prague opera spectator with genuine envy."

Věra Drápelová, MF Dnes, 21. 2. 1995